Saturday, September 28, 2013

Jackson Browne with David Lindley RCA Studios, New York, NY Sept. 27, 1973






01 Come All Ye Fair and Tender Ladies
02 Take It Easy
03 Jesus in 3-4 Time
04 dialogue
05 Our Lady of the Well
06 dialogue
07 Jamaica Say You Will
08 Rock Me On The Water
09 Out To Sea
10 Looking Into You
11 dialogue
12 Song For Adam
13 dialogue
14 My Opening Farewell
15 The Times You've Come
16 For Everyman
17 dialogue
18 Redneck Friend



http://www.jacksonbrowne.com/biography/

Jackson Browne has written and performed some of the most literate and moving songs in popular music and has defined a genre of songwriting charged with honesty, emotion and personal politics. He was honored with induction into the Rock and Roll Hall of Fame in 2004, and the Songwriter's Hall of Fame in 2007.

Jackson's career began in the mid-60s in Los Angeles and Orange County folk clubs. Except for a brief period in NYC in the late 1960s, he has always lived in Southern California. His debut album came out on David Geffen's Asylum Records in 1972. Since then, he has released thirteen studio albums and three collections of live performances; his most recent, Love Is Strange, features David Lindley.

Beyond his music, Browne is known for his advocacy on behalf of the environment, human rights, and arts education. He's a co-founder of the groups Musicians United for Safe Energy (MUSE), Nukefree.org, and the Success Through the Arts Foundation, which provides education opportunities for students in South Los Angeles.

In 2002, he was the fourth recipient of the John Steinbeck Award, given to artists whose works exemplify the environmental and social values that were essential to the great California-born author. He has received Duke University’s LEAF award for Lifetime Environmental Achievement in the Fine Arts, and both the Chapin-World Hunger Year and NARM Harry Chapin Humanitarian Awards. In 2004, Jackson was given an honorary Doctorate of Music by Occidental College in Los Angeles, for "a remarkable musical career that has successfully combined an intensely personal artistry with a broader vision of social justice."

Wiki:
Browne was born in Heidelberg, Germany, where his father, Clyde Jack Browne, an American serviceman, was stationed for his job assignment with the Stars and Stripes newspaper. Browne's mother, Beatrice Amanda (née Dahl), was a Minnesota native of Norwegian ancestry. Browne has three siblings. Roberta "Berbie" Browne was born in 1946 in Nuernberg, Germany (Nuremberg); and Edward Severin Browne was born in 1949 in Frankfurt am Main, Germany. His younger sister, Gracie Browne, was born a number of years later. Browne moved to the Highland Park district of Los Angeles, California, at the age of 3 and in his teens began singing folk music in local venues like the Ash Grove and The Troubador Club. He attended Sunny Hills High School in Fullerton, California, graduating in 1966 as Clyde J. Browne.

After moving to Greenwich Village, New York, in early 1966, Browne joined the Nitty Gritty Dirt Band, performing at the Golden Bear (Huntington Beach, California) where they opened for The Lovin' Spoonful. The band later recorded a number of Browne's songs, including "These Days", "Holding", and "Shadow Dream Song". Browne also spent a short amount of time in his friend Pamela Polland's band, Gentle Soul. Before Browne's 18th birthday, he became a staff writer for Elektra Records' publishing company, Nina Music, reporting on musical events in New York City with his friends Greg Copeland and Adam Saylor. He spent the remainder of 1967 and 1968 in Greenwich Village, New York, where he backed Tim Buckley and German singer Nico of the Velvet Underground. In 1967 Browne and Nico were romantically linked and he became a significant contributor to her debut album, Chelsea Girl, writing and playing guitar on several of the songs (including "These Days"). After leaving New York City, Browne formed a folk band with Ned Doheny and Jack Wilce, and settled in Los Angeles, California, where he first met Glenn Frey.
Browne's first songs, such as "Shadow Dream Song" and "These Days", were recorded by the Nitty Gritty Dirt Band, Tom Rush, Nico, Steve Noonan, Gregg Allman, Joan Baez, the Eagles, Linda Ronstadt, the Byrds, and others. Browne did not release his own version of many of these early songs himself until years later. Soon after this, Rolling Stone mentioned Browne as a "new face to look for" and praised his "mind-boggling melodies".

In 1971, Browne signed with his manager David Geffen's Asylum Records and released Jackson Browne (1972), which included the piano-driven "Doctor My Eyes", which entered the Top Ten in the US singles chart. "Rock Me On the Water", from the same album, also gained considerable radio airplay, while "Jamaica Say You Will" and "Song for Adam" (written about Saylor's death) helped establish Browne's reputation. Touring to promote the album, he shared the bill with Linda Ronstadt and Joni Mitchell.
His next album, For Everyman (1973) — while considered of high quality — was less successful than his debut album, although it still sold a million copies. The upbeat "Take It Easy", co-written with The Eagles' Glenn Frey, had already been a major success for that group, while his own recording of "These Days" reflected a sound representing Browne's angst.
Late for the Sky (1974) consolidated Browne's fan base, and the album peaked at #14 on the Billboard album chart, the 84th best-selling album of 1974. Browne's work began to demonstrate a reputation for memorable melody, insightful (and often very personal) lyrics, and a talent for his arrangements in composition. It featured a Magritte-inspired cover. Highlights included the title song, the elegiac "For a Dancer," "Before the Deluge" and the often-covered "Fountain of Sorrow." The arrangements featured the violin and guitar of David Lindley, Jai Winding's piano, and the harmonies of Doug Haywood. The title track was also featured in Martin Scorsese's film Taxi Driver. During this period, Browne began his fractious but lifelong professional relationship with singer-songwriter Warren Zevon, mentoring Zevon's first two Asylum albums through the studio as a producer (working closely with Waddy Wachtel and Jorge Calderón).
Browne's character was even more apparent in his next album, The Pretender. It was released during 1976, after the suicide of his first wife, Phyllis Major. The album features production by Jon Landau and a mixture of styles, ranging from the Mariachi-inspired "Linda Paloma" to the country-driven "Your Bright Baby Blues" to the downbeat "Sleep's Dark and Silent Gate". "Here Come Those Tears Again" was cowritten with Nancy Farnsworth, the mother of Browne's wife, after the untimely death of her daughter.
Browne began recording his next LP while on tour, and Running on Empty (1977) became his biggest commercial success. Breaking the usual conventions for a live album, Browne used new material and combined live concert performances with recordings made on buses, in hotel rooms, and back stage.[9] Running on Empty contains many of his most popular songs, such as the title track, "The Road" (written and recorded in 1972 by Danny O'Keefe), "Rosie", and "The Load-Out/Stay" (Browne's send-off to his concert audiences and roadies) although none had been recorded previously.


Wednesday, June 12, 2013

Javi Garcia







Javi's been rockin' the Monastery...

http://www.thecoldcoldground.com/site/hearsay-2/

GALLEYWINTER – MARCH 2013
JAVI GARCIA – THE GREAT CONTROVERSY

Life, love and the pursuit of happiness can get pretty bloody during the journey. Javi Garcia isn’t afraid to tell such stories. “I’ve got a fire in my belly. And coal in my throat. The words that I spit. Would make most writers choke.”

Javi’s latest release, The Great Controversy is his latest collection of these happy endings. Javi’s newest release The Great Controversy is act 3 to a Southern Horror. It creeps in with the familiar outro from Flood, thumping into the clapping, stomping and dirty garage guitar licks of the records first track The Sound. A song about a girl who through choices of her own isn’t the apple of her Daddy’s eye anymore. She doesn’t like to hear her fathers truth about her life choices of drug abuse and being a whore, truth hurts sometimes. Nightfall, a story of self destruction by making the same choices over and over expecting a different result.“And you fall. And you fall. Just like the last time. Your doing it again. When you crawl. When you crawl. Right back to nightfall. You just can’t win.” The title track to the record The Great Controversy, the cosmic battle between good and evil from the devils perspective with a killer honky tonk guitar lick. “You can whisper a prayer. You can shout out a hymn. But it doesn’t change the fact that your more like me than him.” Josephine is the Black Tambourine on this record. Horns, grand piano, slide guitar, shaker and more shaker. This Rolling Stones-esque track is a rock and roll jam session. “We both know baby you weren’t born to be queen. So get down honey and don’t stop until its clean. Josephine.”

Savanna, a story of avenge for the rape and murder of a father’s daughter. Forgiveness from the Lord is the only refuge he seeks. Another punch you in your face, push you down, driving rhythm, To Be Free feels like a conversation with Satan about breaking free from his stranglehold. The horns, accordian and percussion in Cut Throat delivers like the theme song to a Robert Rodriguez flick. The song tells a tale of a barber or in this case barber surgeon who starts cutting the throats of his clientele with his straight razor. He ends up getting the electric chair in the end. Again, Javi and his bedtime stories. 30 Years , eventually nobody is going to give a shit about you. That is my take on it. Stick to the facts is a truth punch to the face. In a world where we are filled with lies, conspiracy and propaganda let’s try to stick to the facts.

“Through spider web cracked and broken glass. I let all the world before me pass. This ruthless toothless grinning mask. Ain’t held in place with candle wax. So let’s try to stick to the facts. Try to stick to the facts. Stick to the facts.”

This record sounds like Javi and the players went into a garage, shut the doors, broke the knob off, recorded this record and burnt the place to the ground. There were no survivors and no better understanding of The Great Controversy, all according to the master plan of questions without answers.

Play this record loud

Friday, April 12, 2013

Cannery Row

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been diggin on the latest DSB effort...

http://www.bloodshotrecords.com/album/cannery-row-lp

In 2010, the Deadstring Brothers founder and frontman Kurt Marschke reversed the great Southern Migration, de-camped from his hometown and moved to Nashville. And while you can never, ever take all the Detroit out of a Detroiter, the latest Deadstring album throws the doors open wide to an even broader sound, his new home clearly influencing the lyrics and style. Cannery Row has a loose-limbed melancholy reminiscent of the Laurel Canyon folk scene, the outlaw Nashville days, as well as the Upstate New York counterculture spirit of the Band. Like a hitchhiker with a dirty backpack, a beat up guitar case and a wistful distant smile, the Brothers have piled up stories like the highway miles and created something pretty damn close to that old Gram Parsons dream of Cosmic American Music.
In the spring 2012, Kurt and old friend and fellow Detroiter, bassist JD Mack (formerly of Whitey Morgan & the 78s), started planning new tours, seeking out other members and making a plan for the new record. The stellar cast they recruited carries some hefty resumes: Brad Pemberton(Ryan Adams & the Cardinals) on drums, Mike Webb (Poco) on organ, piano and mandolin, Pete Finney (Dixie Chicks, Hank Jr.) on steel and dobro, Kim Collins (Smoking Flowers) on backing vocals and Mickey Raphael (Willie Nelson’slongtime harp player). At times mellow, breezy, joyous and longing, Cannery Row treads the rich waters brewing between heavy country, singer/songwriter elegance and the classic rock that runs through our collective DNA.
The music roams far and free. The swirling pedal steel and sitting–in-the-back-of-the-pocket drums evokes smoky fires and west coast stoner sunsets in “Like a California Wildfire.” “The Mansion” soars beyond the Nashville skyline with enough
polish to turn the heads on Music Row, but enough soul to hit the storied stages of lower Broadway. “It’s Morning Irene” brims with the romance and possibilities of riding the rails,singing the dust bowl gospel and waking up in the church of the outdoors. The stellar keyboards anchor a range of moods from the elegiac title track to the muscular, ride-with-the-top-down “Long Lonely Road.” And while “Just A Deck of Cards” conjures the contemplative open spaces of the southwest, “Lucille’s Honky Tonk” fires with Hank Sr.’s lanky jitter.
The album artwork includes photographs from an out-of-use train loading dock below Marschke’s loft home located on Nashville, TN’s actual Cannery Row.

Wednesday, February 6, 2013

Constant Rain

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Constant Rain - it can feel that way sometimes...

http://www.jaybowcott.com/bio

Jay Bowcott has been performing regularly for the last two years and has found quite a bit of success within southern Alberta. Alongside his solo performances he has performed as the lead singer / songwriter in the band The Big Smoke of 52, who have done some sold out gigs and played an opening slot for Ed Kowalczyk of LIVE. Jay can be found playing at jams around southern Alberta or playing every Friday evening at the Silver Buckle in Medicine Hat. His touring history includes gigs that span all of Western Canada and he has done a couple across Canada tours with various groups. This debut album was released on February 1st 2013,  It is a ten song work recorded entirely in Jay's basement studio and spans from a few heartfelt folk / country tunes to some delta blues and rock and roll. It's his most progressive work yet spanning a 42 minute experience that is bound to catch your attention. Keep an eye out for him as he will be heading on the road in Spring 2013 and will also be recording another collection of songs in the summer.